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The paintings are profoundly inspired by Foucault's examination of power relations and Hegel’s master-slave dialectic, serving as a visual inquiry into the intricate ways knowledge influences societal norms. They reflect on how these constructs define what is considered legal, healthy, and appropriate, ultimately shaping the agency we—or others—exercise over our bodies.

Since the 19th century, homosexuality has been subjected to a process of rationalization through medical and legal discourse, often framed as a deviation from the norm. In my work, I juxtapose scenes from hospitals with intimate depictions of sexual encounters, highlighting the parallels between these seemingly disparate contexts. In both scenarios, the figures are ensnared in external power dynamics, revealing a shared experience of subjugation and control.

This combination invites viewers to reconsider the relationships between power, knowledge, and bodily autonomy. By exploring these intersections, the paintings provoke critical reflection on how societal structures regulate desire and identity, urging a deeper understanding of the complexities surrounding sexual expression and the body.

2012, oil on canvas, 120x160